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Zoe Leonard: Archivist of FeelingBest robot vacuum deal: Save $800 on Roborock Qrevo MasterAn Interview with Julián Herbert and Christina MacSweeneyPoetry Rx: Snowy Forests and Urgent HeartsAn Interview with Nicole SealeyA Reckoning with Reality [TV]Memoirs of an Ass2018 Whiting Awards: Patrick Cottrell, FictionSlap the WaveThree DaysRedux: On Rising from the DeadWriters’ Fridges: Sloane CrosleyThe Time for Art Is NowAnnouncing the New Editor of ‘The Paris Review’Memoirs of an Ass: Part 2What Do Poets Talk About?Farewell to Winter, Farewell to My FingertipSlap the WaveUnexpected Highlights from the Antiquarian Book FairNot a Nice Girl: On the Life and Photography of Berenice Abbott What Makes Sad Songs Sad? The Answers to Our Hink Pink Contest Steve Clay on the Beginning of Granary Books The Worst Thing for Writing Is Envy Photography Incubabula: How Early Photographs Got in Books Comfort TV: Notes on “The Great British Baking Show” Last Chance: Get a Free Copy of “The Unprofessionals” Who Said a Public Poem Has to Cheer You Up? A New Book from Beatrix Potter France Says Goodbye to the Circumflex Isak Dinesen’s Art Is as Good as Her Writing Workers Have Feelings, Too, and Other News by Dan Piepenbring Can You Name These Writers? by Stephen Hiltner What’s Better Than the War & Peace Miniseries? Things People Do: Four Paintings by Mernet Larsen Six Sweet Hours of Arabian Nights, and Other News by Dan Piepenbring I Lost an Idea Last Night Garrett Price’s “White Boy” Is an Unlikely Slice of History Staff Picks: Continentals, Cocoons, Comics by The Paris Review Queen Bitch: Alex Abramovich on David Bowie
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